My snazzy, talented and oh-so-GROOVY workshop classmates:
Again, if you haven’t read my post on how I lost my groove, it might help to read it first, because it explains why these things I’m about to tell you helped me. (You might also want to see my post about how I got the BRUSH part of my groove back.)
Here are the 6 Surprises I came away with from the KNIFE side of my workshop experience:
1. I have always LOVED the fact that no solvents or mediums are needed when painting with knives; the paint is used full strength, straight from the tube. But Leslie blocks in her paintings with full-strength paint from the very start of her paintings! I had never done that. I had always brushed on mineral-spirits-thinned paint first; then started in with my knives. Doing it Leslie’s way saves me one stinky step!!!
2 . Leslie uses water-soluble oil paints (yes, there actually is such a thing!). Read about them here. I had heard of them over the years and, in fact, I’d had a few tubes of them for years but had never known how to use them nor how they differ from regular oil paints. Answer: you use them interchangeably, and along with, regular oil paints. One of the benefits is that the paints don’t have that oil-paint smell that permeates a room. And they clean up with soap and water, rather than with solvents. One more stinky step eliminated!!!
3. Leslie premixes her paints on her palette. At first I thought I’d never bother with this, but I have already seen myself evolving into doing a bit of premixing. Never say never, right?
4. I already had several painting knives, but I ordered the knives that Leslie wanted for the class (3 of the first 4 on the left). I wanted to make sure I had the right sizes for painting small, which was going to be a new experience for me. When the knives came, I was happy that they were thin and flexible. I knew that my flexible ones were the most maneuverable and, hence, the ones I used the most. I also discovered that my favorites are the teardrop shape with a pointy tip.
5. Before this workshop, I had resigned myself to the fact that I would need to start painting with acrylics. So, I was poised to spend loads of money on a new batch of paints: namely, Golden Open acrylics, because they “feel” and act like oils. I would probably still ruin lots of brushes, probably even more of them, but at least I wouldn’t need to use solvents anymore. Or fill the house with the smell of linseed-oil based paints. I’m so happy that I can stay with oils now!!!
6. Leslie and Dreama both sign their paintings by “drawing” their signatures into their paintings. They each grab a pointy utensil (Dreama uses a rubber tool; Leslie uses a wooden skewer) and sign into the wet paint. This is so fabulous! It’s pretty much impossible to sign a dried knife painting, over all the hills and valleys and ridges of paint. I’ve always said that it takes me as long to sign my paintings as it took to paint them! Now, if I can just remember to do this while the painting is still wet.
One of Leslie’s thought gems that hit home with me was when she reminded us to enjoy the process. “If you pre-plan your painting, you’ll never get there. You’ll worry and fret and try to paint it now the way you envision it as the final painting.” She is right on.
So, overall, I feel like I’ve been launched into the stratosphere with my art. The planets have aligned. I feel free! The shackles have been removed. I’m Michael Jordan with a brush!
Onward and upward – Buzz Lightyear, eat your heart out! Or hold on tight.
What am I forgetting? What other things make the whole painting experience easy and fun and streamlined? And un-smelly?